Green is the New Black: a new column spotlighting the movers and shakers making the art world more environmentally sustainable
From industry-wide coalitions to individual initiatives, our correspondent Louisa Buck looks at how the art industry is responding to our climate and ecological crisis
Jane Hall, Assemble: ‘It wasn’t about changing architecture; it was that we loved building something together’
The Turner Prize-winning art, design and architecture collective has a new show, which takes a Lina Bo Bardi drawing as a launchpad to work with Nottingham schools
The best of the Venice Biennale: our critics’ review
Plus, artists Francis Alÿs, Sonia Boyce, Shubigi Rao and Na Chainkua Reindorf on their national pavilion shows; and a Bellini masterpiece
Move over Venice! Sunderland reveals its heart of glass with four new artist commissions in north-east England
Venice Biennale 2022: Louisa Buck's picks
Our contemporary art writer picks out the three things she's most looking forward to in Venice
Scottish pavilion: Alberta Whittle unravels Venice's often troubling relationship with Blackness
The Barbados-born Scottish artist's work will address oceanic histories and the city’s traumatising images of enslaved Black people hidden in plain sight
British pavilion: Sonia Boyce on being the first Black female artist to represent the UK at the Biennale
"It’s just extraordinary that it’s taken this long"
Girls girls girls: Simone Rocha curates all-women group show at Lismore Castle in Ireland
Flamenco, floating stages and a Stravinsky revival: programme for Venice's 2022 dance biennial revealed
Biennale Danza director Wayne McGregor has given the 16th international festival of contemporary dance the title of "Boundary-less" to reflect the current state of global flux
Thomas Dane exhibition in Naples explores the power and precarity of ceramics
Lynda Benglis and Magdalene Odundo join historical figures like Lucio Fontana in a group show that pushes at the limits of what clay can do
Magdalene Odundo discusses dancing with clay ahead of Venice Biennale exhibition
Ceramics have at last gained due prominence in contemporary art. After decades of making her sensual vessels, the Kenyan-British artist explains why
Hew Locke's carnivalesque Tate Britain commission tells disturbing colonial histories with flamboyance
The Procession, installed in the Duveen Galleries, references the museum's historic links to the sugar industry and slavery
Power to the people: London’s new public art gives a glimmer of hope in gloomy times
A colourful playground, giant vegetable sculptures and an elegant etched glass installation have all brightened up the capital this year
Why did the €471m Caravaggio villa fail to sell?
Plus, artists create their own monuments at Goldsmiths CCA in London and Michael Armitage on Sane Wadu at the newly opened Nairobi Contemporary Art Institute
The Year Ahead: the best exhibitions to look forward to in 2022
Plus, who will be the art market’s winners and losers?
Haroon Mirza: ‘The question I’m asking is, what kind of species are we?’
As he opens a show in New York and looks forward to his participation in the Lille3000 festival, the artist-composer discusses his interest in energy and power in their many forms
Teeth, lips, flowers: rising star Rachel Jones on her latest works and how she prioritises a Black audience
With a major solo gallery show about to open and her first UK institutional exhibition due in March, the artist discusses her response to literature and the distinctive language in her titles
